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范小青，女，祖籍江蘇南通，1955年7月出生于上海松江縣，1958年隨父母遷往蘇州，1985年初，調(diào)入江蘇省作家協(xié)會從事專業(yè)創(chuàng)作?，F(xiàn)為江蘇省作家協(xié)會主席，中國作協(xié)全委會委員，全國政協(xié)委員。1980年開始發(fā)表文學(xué)作品，以小說創(chuàng)作為主，處女作短篇小說《夜歸》發(fā)表在《上海文學(xué)》，共寫作一千余萬字。著有長篇小說二十部，長篇小說《城市表情》獲全國第十屆五個一工程獎，短篇小說《城鄉(xiāng)簡史》獲第四屆魯迅文學(xué)獎，有多部作品被翻譯成英、法、德、西班牙、日、韓等文字并在國外出版。

范小青的文字中，能夠讀出她對其筆下那些農(nóng)民的偏愛，她是帶著濃厚感情寫出這些人物的善良質(zhì)樸與小聰明。她擅于寫小巷間的人情瑣事，頗具人情味道。她用細(xì)膩又平和的筆觸娓娓訴說著小人物的喜怒哀樂，即使書中隱含著不短的時間跨度，人物歷經(jīng)幾個時代，卻依舊不見所謂宏大敘事與表象上的深邃主題，她不會寫驚天動地的人物和事件，而更愿意在平淡的敘述中帶給讀者閱讀的韻味，這不僅是她的文學(xué)追求，也是她一貫的寫作風(fēng)格。

長篇小說《赤腳醫(yī)生萬泉和》以日常性敘事風(fēng)格，通過內(nèi)斂的幽默，刻畫了一個鄉(xiāng)村赤腳醫(yī)生的形象，在平淡之中描繪出主人公內(nèi)心的那個本真世界。赤腳醫(yī)生在“文革”中倒下了，其兒子萬泉和接替他當(dāng)了赤腳醫(yī)生。萬泉和沒正式學(xué)過醫(yī)，當(dāng)醫(yī)生勉為其難，雖先后和幾名醫(yī)生配合行醫(yī)，但他們先后都走了，最后剩下他一人。小說塑造萬泉和這個新鮮的揮之不去的人物形象，并且把閱讀引入到無限的空間?！俺嗄_醫(yī)生”其實不僅僅是寫的農(nóng)村，還寫了農(nóng)民永遠(yuǎn)在最低的生存線上掙扎。而《香火》敘寫了一個在寺廟里當(dāng)香火的少年，他半為和尚半為俗人，他經(jīng)歷了特殊的歷史時期，以出世之眼入世地看世界，滿目荒唐、滑稽。小說專注于日常生活，游離于重大歷史現(xiàn)場之外，行文戲謔，貌似解構(gòu)實則重建。長篇小說《我的名字叫王村》是一部后現(xiàn)代反諷小說，表面上端出日常平樸的姿態(tài)，不露聲色，內(nèi)里卻在營求奇趣。小說中丟掉弟弟又尋找弟弟的復(fù)雜情節(jié)，是人為設(shè)置的許多彎道，許多障礙，從尋找弟弟引伸出更多值得思考回味的事情。

范小青

Fan Xiaoqing

Fan Xiaoqing, female. While her ancestral home is Nantong in the province of Jiangsu, she was born in Shanghai’s Songjiang County in July 1955. She moved to Suzhou with her parents in 1958, and in early 1985 she entered the Jiangsu Writers Association to write professionally. Fan is currently the president of the Jiangsu Writers Association, a member of the general committee of the China Writers Association, and a committee member of the National Committee of the Chinese People’s Political Consultative Conference. Her writing, which consists primarily of novels and short stories, was first published in 1980. Her debut short story, Return at Night (Ye Gui), was published in Shanghai Literature. Her works contain a combined total of approximately ten million characters. She has written twenty novels. Her novel City Expressions (Cheng Shi Biao Qing) won the 10th national Five Ones Project award, and her short story A Brief History of Cities and Countrysides (Cheng Xiang Jian Shi) received the 4th Lu Xun Literary Prize. Many of her works have been translated into English, French, German, Spanish, Japanese, and Korean and have been published abroad.

Fan Xiaoqing’s fondness for the rural characters in her stories is perceptible in her prose. She portrays these characters’ cleverness and rustic, good-natured characteristics with palpable emotion. Fan is particularly adept at writing about the minutia of daily life and its interactions; these portions of her books have a noticeably human touch. She presents the joys and sorrows of these characters with a gentle and meticulous style. Although her books span considerable lengths of time, passing through several eras in a single work, the reader still does not encounter profound themes through lofty narration or symbolism. Fan Xiaoqing does not write about earth-shaking individuals or events. Instead, she prefers to use her simple prose to let her readers experience the charms of reading. This is not just her literary aim, but also her consistent writing style.

Her novel The Barefoot Doctor Wan Quanhe (Chi Jiao Yi Sheng Wan Quanhe) uses an everyday narrative style and introverted humor to depict a rural barefoot doctor (a term referring to Chinese farmers during the 1960s and 1970s who received minimal basic medical training and worked in rural villages to promote basic hygiene and healthcare, as well as treat common illnesses). With simple prose, she presents the true world that exists inside the protagonist’s heart. This barefoot doctor loses his status during the Cultural Revolution, and his son Wan Quanhe takes his place as a barefoot doctor. Wan Quanhe has not formally studied medicine, but he makes his best effort to undertake this difficult endeavor. He works together with several doctors, but each of these doctors successively leaves. In the end he is all alone. The novel paints a vivid picture of Wan Quanhe that sticks in the reader’s mind, while also drawing the reader into a limitless space. The “barefoot doctor” in this book is about more than the countryside; it also describes how the farmer and peasant has always struggled at the bottom of life’s food chain.

Sweet Fire (Xiang Huo) is the story of a young incense attendant in a temple. A cross between a monk and a worldly person, he experiences a special period in history firsthand as the book’s plot unfolds. Despite having withdrawn from the world, he views the world from a worldly person’s perspective, one full of absurdity and humor. This novel focuses on the protagonist’s daily life instead of focusing on historical scenes. Fan’s writing is laced with humor, and while it may seem to be a deconstruction, it is actually a kind of reconstruction.

My Name Is Wang Cun (Wo De Ming Zi Jiao Wang Cun) is a satirical postmodern novel. On the surface, it conducts itself with a simple, everyday attitude. However, its straight-faced manner conceals its efforts to seek quaint charms. The novel’s complex plot—namely, casting away a brother only to search for him again—contains many man-made twists and barriers. The plot also extends to include many other thought-provoking elements.