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Hollywood Residence

打造空間的序列性

住宅坐落在洛杉磯的山上，距離好萊塢標(biāo)志不遠(yuǎn)，整體建筑設(shè)計(jì)著眼于中世紀(jì)愛爾蘭城堡的傳統(tǒng)，并將其融入當(dāng)代加州的生活方式中，體現(xiàn)了新工業(yè)風(fēng)與古建筑特色的完美融合。由西雅圖建筑公司Mutuus Studio的Kristen Becker設(shè)計(jì)，設(shè)計(jì)師從客戶的愛爾蘭之旅和許多歐洲城堡中獲得設(shè)計(jì)思路，打造出一種序列性空間，并借鑒了紐約市頂層公寓的緊湊性。

Nestled high above Los Angeles in the Hollywood hills, not far from the iconic Hollywood sign, this residence was conceived as a modern-day medieval castle whose breath-taking views and compact footprint are matched by an oddball grandeur that fuses "industrial chic and old-world interiors". Designed by Kristen Becker of Seattle based architecture firm Mutuus Studio the house was commissioned by entertainment couple actress Mia Sara and director, producer, writer and puppeteer Brian Henson, son of the legendary Jim Henson (think The Muppet Show and Fraggle Rock) who wanted a home with a modest footprint. Taking cues from the couple’s travels to Ireland and the great castles they visited, along with drawing from the compactness of their New York City penthouse, their Hollywood Hills Residence embodies California’s luxurious lifestyle in its purest form.

這棟三層樓的建筑建在陡峭的山坡上，由混凝土，木材，玻璃和金屬創(chuàng)造出一系列堆疊的體量組合，考慮到場地環(huán)境的保護(hù)，占用最小的面積并能夠容納一系列露臺和庭院。房屋可通過鋼制天橋進(jìn)入，該天橋通向巨大的青銅門，這是對城堡吊橋的影射。

Built on a steep hillside, the three-storey building was designed as a series of stacked rectilinear volumes in a mix of concrete, wood, glass and metal, a configuration that ensures a minimal footprint as well as being able to accommodate a series of terraces and courtyards to take advantage of the mild climate. The house is accessed via a wood and steel footbridge that leads to a monumental bronze door, an allusion to a castle’s drawbridge over a moat.

進(jìn)入住宅，將你引向中間樓層的大廳，其中包括一個開放式廚房、餐廳和休息區(qū)。另外兩間臥室和一間書房位于同一層，而下面是媒體室、客房、儲藏室和一間洗衣房。公共空間和私人空間分散在建筑的第三層，這些精心設(shè)計(jì)的空間無縫地相互流動。

Entering the top floor, which also houses the garage and the master bedroom, a foyer leads you down to a great hall on the middle floor comprising an open plan kitchen, dining and sitting area. Two additional bedrooms and a study are located on the same level, while below, there is a media room, guest rooms as well as storage spaces and a laundry room. With public and private spaces dispersed across all three levels, the choreographed configuration of spaces that seamlessly flow into one another speaks to Becker’s background in dance.

起居空間無疑是這間住宅的心臟，雙層高的空間以黑色鋼梁架構(gòu)，最具特色是一個重金屬齒輪和鏈?zhǔn)叫D(zhuǎn)窗，通過東邊開設(shè)的鏈?zhǔn)叫D(zhuǎn)門，可到達(dá)露臺和室外餐廳，曲折向下可進(jìn)入游泳池和樓下的臥室。“不僅是一種華麗的姿態(tài)”，正如建筑師所說，“還強(qiáng)調(diào)了不斷變化交織的空間理念”。

Undoubtedly the heart of the house beats is the “great hall” on the middle level, a bright, double-height space featuring massive black steel beams, black steel Brombal windows offering a breath-taking panorama over Los Angeles, and a heavy metal gear and chain pivoting window that opens up to a dining terrace where you can zigzag down to the pool. The pivoting window “is not only an opulent gesture”, as the architects remark, “but also another clever emphasis on the idea of an ever-changing interweaving space”.

在客廳里，Willy Daro超現(xiàn)實(shí)主義的咖啡桌和1930年代日式re-upholstered豹紋椅尤為耀眼。在鄰近的用餐區(qū)，一張薄薄的橢圓形餐桌最初是丹麥大師Finn Juhl于1948年的設(shè)計(jì)，在這里用柚木重新制作，與當(dāng)?shù)厮囆g(shù)家法Facaro定制的枝形吊燈搭配在一起，吊燈靈感源于自行車鏈的集合。廚房由現(xiàn)代混凝土臺面、胡桃木飾面櫥柜與Warren Bacon于20世紀(jì)70年代設(shè)計(jì)的懸臂式柜臺凳完美搭配。

In the living room, contemporary pieces like Willy Daro’s Brass Bonsai Surrealist Coffee Table are mixed with 1930s Japanese stools that have been re-upholstered in a leopard print, vintage lamps from Italy and Aboriginal tapestries, while an arm cast from Henson's childhood, adorned with his father’s cartoons, stands next to Arthur Court’s 1970s polished aluminium Tortoise Shell lamp. Inthe adjacent dining area, a thin, oval dining table originally designed by Danish master Finn Juhl in 1948 and reproduced here in teak, is paired with a bespoke chandelier by local artist Facaro whose opulence is juxtaposed with the material it’s made from: bicycle chains. The kitchen’s contemporary design of concrete countertops, blackened steel and walnut veneer cupboards is perfectly matched with Warren Bacon’s cantilever counter stools from the 1970s.

樓下的媒體室搭配由瑞士制造商打造的白色模塊沙發(fā)，結(jié)合安哥拉山羊毛地毯、Rick Owens的青銅天鵝雕塑花瓶和非洲面具，書房中古董紅木角度的辦公桌是搭配Norman Cherner轉(zhuǎn)椅和古董faux-bamboo臺燈。

In the media room downstairs, a 1970s modular white leather sofa by iconic Swiss manufacturer de Sede is combined with a mohair rug, Rick Owens’ bronze Swan Neck sculptural vase, and a collection of African masks, while, in one of the bedrooms, a vintage rosewood angled desk is paired with Norman Cherner’s Swivel chair from the 1960s and an antique faux-bamboo reading lamp from the 1930s.

Tribeca Penthouse

簡約與優(yōu)雅的典范

曼哈頓市中心一棟兩層樓的頂層公寓，向往折衷主義的優(yōu)雅，擁有城堡一樣的紀(jì)念性的建筑，以此作為紐約閣樓現(xiàn)代風(fēng)格的靈感。

A two-story penthouse apartment in Downtown Manhattan that yearns for restrained opulence and eclectic elegance and looks to castle-like monumentalism as inspiration for a modern take on a NYC loft.

早期的靈感來源于城堡，強(qiáng)調(diào)了空間的不朽性。巧妙地通過垂直金屬樓梯扶手和開關(guān)玻璃創(chuàng)造了空間內(nèi)凝聚力，既保證隱私，也強(qiáng)調(diào)了空間的高度。

A very early inspiration found in castle-like design and atmospheres, led to an emphasis in the monumental and commanding verticality of the space. This purposeful celebration of verticality creates an effortless cohesiveness within the space, masterfully achieved through the use vertical metal stair railings as well as the use of switch glass both for privacy purposes as well as to emphasize the height of the space.

空間展示了各式各樣的家具，這是業(yè)主旅行途中的收獲，房間里還固定著一張Vladimir Kagan的沙發(fā)。沿著金屬和木制的大樓梯向上是主臥套房和媒體室，天鵝絨窗簾用作隔斷，配有軟木地板和定制的皮革家具。

The space showcases a vast array of eclectic furniture, a result of the clients’ continuous travels including a Vladimir Kagan couch that anchors the room. Up the metal and wooden grand stair is the master suite featuring a media room with velvet curtains serving as a temporary division, baked cork flooring and custom leather furnishings.

為共同追求高品質(zhì)設(shè)計(jì)的人，創(chuàng)建了Mutuus Studio。工作范圍從住宅、商業(yè)、酒店到室內(nèi)設(shè)計(jì)。Mutuus Made是工作室的不可分割的一部分。設(shè)計(jì)自定義照明，硬件和材料，以增強(qiáng)工作室設(shè)計(jì)的獨(dú)特性。在處理每個項(xiàng)目時都注重細(xì)節(jié)，并限制了工作室的項(xiàng)目數(shù)量，因此可以為客戶提供足夠高專業(yè)度和優(yōu)質(zhì)的服務(wù)。

We founded Mutuus Studio for others like us - those who share a mutual obsession for highly crafted design, and also for those that don’t feel like placing limits on what we design. Our work ranges from residential and commerical to hospitality and interiors. An integral and exclusive part of our studio is our Mutuus Made works that are offered exclusively to our clients. We design and fabricate custom objects, lighting, hardware and materials that enhance the architecture and interiors that we design. We approach each of our projects with attention to detail and limit the number of projects that we have in the studio so we can provide the utmost attention that our clients deserve.

Mutuus（moo-tus）是拉丁語，意為“相互/交換”。強(qiáng)化了我們的工作室設(shè)計(jì)哲學(xué)，即設(shè)計(jì)本質(zhì)上是協(xié)作且互惠的。盡管每個項(xiàng)目都有一個項(xiàng)目負(fù)責(zé)人，但三個合作伙伴在所有項(xiàng)目上都共同協(xié)作，并為給定項(xiàng)目提供了彼此的專業(yè)知識。

Our name Mutuus (moo-tus) is a the latin word for "mutual / exchange". The name reinforces our studio philosophy that design is inherently collaborative and mutually beneficial. Although each project has a project leader, all of the three partners work together collaboratively on all the projects and lend one anothers expertise to a given project.

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時代建筑的意趣韜藏其中