藝術(shù)家 / Artist
王友江
Wang youjiang
1962年出生
1986年畢業(yè)于西安美術(shù)學(xué)院設(shè)計學(xué)院
1995-1997年在中央美術(shù)學(xué)院油畫系第九屆助教進修班學(xué)習
北京交通大學(xué)建筑與藝術(shù)學(xué)院教授
中國美術(shù)家協(xié)會會員
主要展覽：
1985年作品《奧運之火映照五大洲的心》，入選“首屆體育美展”獲三等獎，組辦單位：中國奧林匹克委員會，中國美術(shù)家協(xié)會；
1989年作品《綠的使者、人類的朋友》入選“全國七屆美術(shù)展”，組辦單位：中華人民共和國文化部，中國美術(shù)家協(xié)會；
1997年作品《敦煌印象》入選“走向新世紀——中國青年油畫展”， 組辦單位：中國油畫學(xué)會；
1997年作品《平房》入選“慶祝中華人民共和國成立五十周年寫生展”， 組辦單位：中國美術(shù)家協(xié)會；
2001年作品《痕跡16》入選“研究與超越——中國小幅油畫作品大展”，組辦單位：中國油畫學(xué)會；
2002年作品《痕跡系列》入選美國沃蒙特藝術(shù)中心“國際交流展”獲“全額獎”；
2003年作品《痕跡20》入選“第三屆全國油畫大展”獲“精品”獎，組辦單位：中國美術(shù)家協(xié)會，文化部藝術(shù)司，中國油畫學(xué)會；
2005年作品《痕跡22》入選“自然與人——第二屆當代中國山水畫展”，組辦單位：中國油畫學(xué)會，中國畫研究院。
2011年8月12日三木畫廊承辦《一路行隨筆——王友江油畫寫生作品展》，組辦單位：甘肅省美術(shù)家協(xié)會；
2012年《寫生作品》參加臺灣繪畫交流展；
2013年6月《王友江繪畫作品展——零界》在北京798感嘆號畫廊舉辦；2014年12月《中法水墨交流展》在北京798感嘆號畫廊舉辦；
2016年作品參加《中國印象—當代藝術(shù)家聯(lián)展》在美國休士頓美術(shù)館；2017年作品參加《久別回聲——中央美術(shù)學(xué)院油畫系第九屆研修班作品展》中央美術(shù)學(xué)院油畫系主辦；
2019年作品參加《時代光彩》2019津京油畫家邀請展，西洋美術(shù)館舉辦；
2021年10月作品《虛幻與錯位系列》參加在蘭州舉辦的《北緯36°藝術(shù)展》
2022年作品。《虛幻與錯位系列》參加《各境與相望》國際當代藝術(shù)交流線上展，北上北藝術(shù)
2023年作品?！短摶门c錯位系列》參加《非A》當代藝術(shù)對話國際線上展，北上北藝術(shù)
作品收藏：中國、美國、印尼、丹麥等
Born in 1962
Graduated from the School of Design of Xi'an Academy of Fine Arts in 1986
Studied at the 9th Teaching Assistant Training Class of the Oil Painting Department of the Central Academy of Fine Arts from 1995 to 1997
Professor, School of Architecture and Art, Beijing Jiaotong University
Member of China Artists Association
Main exhibitions:
1985, his work "The Olympic Flame Reflects the Heart of Five Continents" was selected into the "First Sports Art Exhibition" and won the third prize. Organizers: Chinese Olympic Committee, China Artists Association;
1989, his work "Green Messenger, Friends of Humanity" was selected into the "Seventh National Art Exhibition", organized by the Ministry of Culture of the People's Republic of China, China Artists Association;
1997, the work "Impressions of Dunhuang" was selected for the "Towards the New Century - China Youth Oil Painting Exhibition", organized by the China Oil Painting Society;
1997, his work "Bungalow" was selected into the "Sketch Exhibition Celebrating the 50th Anniversary of the Founding of the People's Republic of China", organized by the China Artists Association;
2001, his work "Traces 16" was selected for the "Research and Transcendence - China Small Oil Painting Exhibition", organized by the China Oil Painting Society;
2002, the work "Traces Series" was selected for the "Full Award" at the "International Exchange Exhibition" at the Vermont Art Center in the United States;
2003, his work Traces 20 was selected into the "Third National Oil Painting Exhibition" and won the "Excellent Product" Award. Organized by the China Artists Association, the Art Department of the Ministry of Culture, and the China Oil Painting Society;
2005, his work "Traces 22" was selected for the "Nature and Man - Second Contemporary Chinese Landscape Painting Exhibition", organized by the Chinese Oil Painting Society and the Chinese Painting Research Institute.
On August 12, 2011, Sanmu Gallery hosted the "Along the Way Essays - Wang Youjiang's Oil Painting and Sketching Works Exhibition", organized by Gansu Artists Association;
2012, "Sketching Works" participated in the Taiwan Painting Exchange Exhibition;
2013, the "Wang Youjiang Painting Exhibition - Zero Boundaries" was held at the 798 exclamation mark gallery in Beijing; In December 2014, the "Sino French Ink Exchange Exhibition" was held at the 798 exclamation mark gallery in Beijing;
2016, his work participated in the "Impression of China - Contemporary Artists Joint Exhibition" at the Houston Museum of Art in the United States; In 2017, his work participated in the "Long Farewell Echo - The 9th Workshop Exhibition of the Oil Painting Department of the Central Academy of Fine Arts" organized by the Oil Painting Department of the Central Academy of Fine Arts;
2019, his works participated in the 2019 Tianjin Beijing oil painter Invitational Exhibition, held by Western Art Museum;
2021, the work "Illusion and Misalignment" participated in the "36 ° North Latitude Art Exhibition" held in Lanzhou.
Works in 2022. The "Illusion and Misalignment Series" participated in the International Contemporary Art Exchange Online Exhibition of "Various Realms and Faces", and went north to north for art
Works in 2023. The Illusion and Misalignment Series "participated in the International Online Exhibition of Contemporary Art Dialogue on" Non A ", Art from North to North
Collection of works: China, United States, Indonesia, Denmark, etc
王友江 / Wang Youjiang
虛幻與錯位-桌子上的擺件 / Illusion and dislocation - table ornaments
200x142cm
布面油畫 / Oil painting on canvas
2022
王友江 / Wang Youjiang
虛幻與錯位-反射 / Illusion and dislocation-reflex
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-戲劇天使 / Illusion and Misalignment - Dramatic Angel
150x110cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位- X光片/ Illusion and Misalignment - X-rays
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-藍色的氣球 / Illusion and Misalignment - Blue Balloon
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-虎躍龍門 / Illusion and Misalignment - Tiger Leaps Over Dragon Gate
200x160cm
布面油畫 / Oil painting on canvas
2019
藝術(shù)家思考：
我的繪畫采用象征性藝術(shù)手法來表達內(nèi)心意愿，不是直接面對現(xiàn)實場景的描繪，是以感受到現(xiàn)實的虛幻與錯位，以荒誕的表達方式指向主題的實質(zhì)，讓觀眾自己體會作品象征的含義，來啟示對人性善惡、愛恨、欲望、真誠、虛偽的思考，去喚醒人性中的理想。作品對美好事物的贊頌，對理想境界的追求，或?qū)εf惡事物的諷刺，抨擊不合理的現(xiàn)象，還有對生存狀態(tài)以及對個體意志尊重的思考。我們往往感知到的事物不一定是真實的，人們往往用鮮花來粉飾不堪的現(xiàn)實，用美麗的外表裝扮不堪的靈魂，迷茫的人生分裂的人格，如同變色龍一般隨著環(huán)境事態(tài)的變化而改變自己的意志，不考慮自己的靈魂應(yīng)該在哪里。人性中的欲望與無奈，自私與貪婪、仇恨與卑劣，如果沒有堅定的信仰或不去干預(yù)控制，人性就會墮落到野蠻。人性除了自我修道，還有環(huán)境的影響，環(huán)境的狀態(tài)會造就人性特征，人性特征又反映社會特征，所以我們對人性的思考一定會影射對社會的思考。
我創(chuàng)作主體對象主要是人物、塑料模特和動物,以含蓄隱喻的象征方式對情節(jié)進行編排，超越現(xiàn)實表面的情節(jié)次序，并非是戲劇性的事件，編排出有寓意性的指向，給觀者提供多角度思考的可能性。我崇尚邏輯關(guān)系支撐情感的表達，從具體感受到抽象思維，再轉(zhuǎn)化為有寓意性的指向性，對藝術(shù)情感追求和邏輯關(guān)系的把握，邏輯關(guān)系是對事物結(jié)構(gòu)及本質(zhì)理性的判斷，會使意志和情感更加明確而堅定。繪畫是邏輯關(guān)系與情感的呈現(xiàn)載體，根據(jù)內(nèi)心的訴求去創(chuàng)作具有審美價值的藝術(shù)表達形式。
我的繪畫形式融合了二維與三維的表現(xiàn)特征，背景采取虛幻的平面空間，在平面空間中構(gòu)成了錯位空間，將人物及物體在空間中構(gòu)成了錯位的視覺效果，使視覺形式的感受轉(zhuǎn)化為對內(nèi)容的寓意，在錯位空間中身份與角色有了不確定性含義，傳達出更多的可能性。
塑料模特、猴子成為我畫面的主要角色。在我的畫面中塑料模特具有象征主題內(nèi)容的含義，塑料模特是人工制造出來的理想，是對人們的欲望誘惑與心理反射，人為的給塑料模特裝扮了各種角色，同時她也給我們裝扮了各種角色,對她賦予情感，賦予經(jīng)歷，她成為我們生活中的一員又超越了生活本身，寓意人性中欲望是虛幻和假象，在這種偏差中我們的價值觀常常被質(zhì)疑。猴子和人有著原始的關(guān)聯(lián)性，也許是形態(tài)、也許是基因，象征著對原始的重復(fù)，或與野蠻并行的危險。動物的欲望僅是吃喝、生殖生理滿足，貪婪是人類特有的詞匯，超越了動物的本能。
為尋找藝術(shù)語言而尋找語言是空洞的，藝術(shù)語言的形成是在表達主題思想或內(nèi)心情感架構(gòu)出文化語境系統(tǒng)，在創(chuàng)作的過程中自然流露出語言的特征。在繪畫的過程中有許多的不確定性因素，這種不確定性以及抽象性的筆觸造就了作品的神秘與即興的發(fā)揮，在畫面上用畫筆刮刀反反復(fù)復(fù)的涂抹刮掉再涂抹再刮掉，形成了色層的交織、堆積及刮痕，呈現(xiàn)出抽象的腐蝕瘢痕的視覺痕跡，物體在畫面上被瘢痕、顏料的堆積及刮抹的時隱時現(xiàn)，賦予了畫面的傷感情調(diào)，增加了許多無名的故事，有對過去的記憶，還有對未來的不確定性。
Artist Thinking:
My paintings use symbolic artistic techniques to express my inner desires, rather than directly portraying real-life scenes. They aim to feel the illusion and dislocation of reality, and point to the essence of the theme in absurd ways, allowing the audience to experience the symbolic meaning of the work, revealing their thoughts on human goodness and evil, love and hate, desire, sincerity, and hypocrisy, and awakening the ideals in human nature. The work praises beautiful things, pursues ideal realms, satirizes old and evil things, criticizes unreasonable phenomena, and reflects on the state of existence and respect for individual will. We often perceive things that are not necessarily real. People often use flowers to decorate their worn-out reality, beautiful appearances to decorate their worn-out souls, confused and divided personalities, like chameleons that change their willpower with changes in environmental events, without considering where their souls should be. The desires and helplessness in human nature, selfishness and greed, hatred and despicability, if there is no firm belief or no intervention and control, human nature will degenerate into barbarism. In addition to self cultivation, human nature also has the influence of the environment. The state of the environment will create human characteristics, which in turn reflect social characteristics. Therefore, our thinking about human nature will inevitably reflect our thinking about society.
The main objects of my creation are characters, plastic models, and animals, arranged in an implicit and metaphorical way to transcend the surface plot order of reality, rather than dramatic events. The arrangement of meaningful directions provides viewers with the possibility of thinking from multiple perspectives. I advocate logical relationships to support the expression of emotions, from concrete feelings to abstract thinking, and then transformed into meaningful directionality. I grasp the pursuit of artistic emotions and logical relationships, which are judgments of the structure and essential rationality of things, making will and emotions more clear and firm. Painting is the presentation carrier of logical relationships and emotions, creating artistic expressions with aesthetic value based on inner desires.
My painting form combines two-dimensional and three-dimensional expressive features, with an illusory flat space as the background, creating a misaligned space in which characters and objects form a visual effect of misalignment. This transforms the perception of visual form into a metaphor for content, and in the misaligned space, identity and characters have uncertain meanings, conveying more possibilities.
Plastic models and monkeys have become the main characters in my visuals. In my images, plastic models have symbolic themes and meanings. Plastic models are artificially created ideals that are a reflection of people's desires and temptations. They artificially dress up plastic models with various characters, and at the same time, they also give us various characters, giving her emotions and experiences. She becomes a member of our lives and transcends life itself, symbolizing that desire in human nature is illusory and illusory, Our values are often questioned in this deviation. Monkeys and humans have a primitive connection, perhaps in terms of form or genes, symbolizing the repetition of primitiveness or the danger of coexisting with barbarism. Animal desires are only about eating, drinking, and satisfying reproductive physiology. Greed is a unique human term that transcends animal instincts.
It is empty to look for language in order to find artistic language. The formation of artistic language is to express the theme or inner feelings and build a cultural context system, which naturally reveals the characteristics of language in the process of creation. In the process of painting, there are many uncertain factors, and this uncertainty and abstract brushstroke create the mysterious and improvised expression of the work. The painting is repeatedly scraped off and then scraped off with a brush scraper, forming the interweaving, accumulation, and scraping of color layers, presenting abstract visual traces of corrosive scars. Objects are often hidden and present in the painting due to scars, pigment accumulation, and scraping, It endows the screen with a sentimental atmosphere, adding many unnamed stories, memories of the past, and uncertainty about the future.
王友江 / Wang Youjiang
虛幻與錯位-2月24日夢中驚醒 / Illusion and Misalignment - Wake up from a dream on February 24th
200x142cm
布面油畫 / Oil painting on canvas
2022
王友江 / Wang Youjiang
虛幻與錯位-對塑像的記憶 / Illusion and Misalignment - Memories of statues
150x110cm
布面油畫 / Oil painting on canvas
2020
王友江 / Wang Youjiang
虛幻與錯位-桌子上的海盜塑像 / Illusion and Misalignment - The pirate statue on the table
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-看不清的視線 / Illusion and Misalignment - An indistinct line of sight
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-想要飛翔 / Illusion and Misalignment - Want to fly
200x142cm
布面油畫 / Oil painting on canvas
2022
王友江 / Wang Youjiang
虛幻與錯位-跳躍 / Illusion and Misalignment - jump
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-塑料模特的質(zhì)問 / Illusion and Misalignment - The questioning of plastic models
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-蜻蜓與草莓/ Illusion and Misalignment - Dragonflies and Strawberries
200x142cm
布面油畫 / Oil painting on canvas
2019
王友江 / Wang Youjiang
虛幻與錯位-馬戲團 / Illusion and Misalignment - circus troup
150x110cm
布面油畫 / Oil painting on canvas
2020
王友江 / Wang Youjiang
虛幻與錯位-戲劇的約會 / Illusion and Misalignment - Dramatic Dating
150x110cm
布面油畫 / Oil painting on canvas
2019
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