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作家名片 | 范穩(wěn):用愛(ài)講述藏地的歷史和生命經(jīng)驗(yàn)

近年來(lái),中華文化“走出去”的影響力不斷擴(kuò)大,在全球文化多元化發(fā)展日益興盛的背景下,中國(guó)文化譯研網(wǎng)(CCTSS)聯(lián)合中國(guó)作家協(xié)會(huì)《小說(shuō)選刊》雜志社,啟動(dòng)“新世紀(jì)中國(guó)當(dāng)代作家、作品海外傳播數(shù)據(jù)庫(kù)”項(xiàng)目,將100位中國(guó)當(dāng)代優(yōu)秀作家的簡(jiǎn)介、代表作品以及展示作家風(fēng)采的短視頻翻譯為10種語(yǔ)言,集結(jié)成1000張中國(guó)作家名片向全球推介。千張“作家名片”將鮮明地向世界宣告:我是中國(guó)作家,我在進(jìn)行中國(guó)創(chuàng)作。

此種形式和規(guī)模是中國(guó)故事走向世界的一大創(chuàng)新,會(huì)讓世界更加全面、客觀、公正地了解中國(guó)優(yōu)秀作家作品,同時(shí)也是打通中國(guó)文化走向世界的“最后一公里”。

范穩(wěn),男,1962年11月生于四川,現(xiàn)居昆明。國(guó)家一級(jí)作家。現(xiàn)任云南省作家協(xié)會(huì)駐會(huì)主持工作的副主席。大學(xué)畢業(yè)后,范穩(wěn)到云南地礦局工作,1986年開(kāi)始發(fā)表作品,迄今發(fā)表各類(lèi)題材、體裁的文學(xué)作品六百余萬(wàn)字,出版文學(xué)作品十六部,含長(zhǎng)篇小說(shuō)、中短篇小說(shuō)、散文、報(bào)告文學(xué)等體裁,并被翻譯成英、法、意等多種文字。范穩(wěn)執(zhí)迷于雪山峽谷和廣袤無(wú)垠的高原牧場(chǎng),有多部作品聚焦反映藏民族現(xiàn)實(shí)生活及歷史文化,如“藏地三部曲”《水乳大地》《悲憫大地》《大地雅歌》,反映滇越鐵路的《碧色寨》,以及反映抗戰(zhàn)歷史的《吾血吾土》《重慶之眼》等。曾獲第七、第八、第九屆茅盾文學(xué)獎(jiǎng)提名獎(jiǎng),第八、第十一屆“十月文學(xué)獎(jiǎng)”,第四屆《人民文學(xué)》長(zhǎng)篇小說(shuō)雙年獎(jiǎng)等。 

1999年的一次滇藏線之行徹底改變了范穩(wěn)的創(chuàng)作方向,他開(kāi)始用一個(gè)作家的眼光來(lái)審視一些在都市的世俗生活從未見(jiàn)識(shí)過(guò)或者很少思索過(guò)的命題:民族和它的歷史、文化、宗教、信仰、自然以及它們與人的關(guān)系,與人性的關(guān)系,與人的命運(yùn)的關(guān)系。北京大學(xué)中文系陳曉明教授認(rèn)為范穩(wěn)的寫(xiě)作是“用愛(ài)來(lái)解釋生命的價(jià)值,用愛(ài)來(lái)重新講述藏地的歷史和生命經(jīng)驗(yàn)”;著名評(píng)論家李敬澤也評(píng)價(jià)范穩(wěn)“是一位對(duì)我們國(guó)家和民族的歷史文化始終懷著熱愛(ài)、禮敬之心去進(jìn)行寫(xiě)作的作家”。

《水乳大地》是“藏地三部曲”的開(kāi)篇之作,以西藏東部邊緣地區(qū)一個(gè)世紀(jì)以來(lái)的風(fēng)云變化為背景,塑造了藏傳佛教的活佛、納西東巴教的代表、基督教的傳教士、紅漢人的干部,還有不懼天地鬼神的康巴漢子等人物形象。小說(shuō)在宗教和現(xiàn)實(shí)交錯(cuò)、多種民族混居、多種文化相互沖撞與融合的氛圍里包含著嚴(yán)肅的思考。《悲憫大地》通過(guò)瀾滄江東西兩岸兩個(gè)家族的恩怨情仇為我們展現(xiàn)了藏族人的真正生存狀態(tài)。以史詩(shī)的筆法表現(xiàn)了善與惡、人與自然、人性與神性等豐富的精神內(nèi)涵,從而使悲憫的主題呈現(xiàn)出震撼人心的力量,也為我們展現(xiàn)了一幅二十世紀(jì)前半葉西藏生活的風(fēng)情畫(huà)。《大地雅歌》則力圖對(duì)藏地文化進(jìn)行去神秘化,對(duì)佛教去神圣化,寫(xiě)出藏地文化及佛教的悲憫情懷,謳歌人性之大愛(ài),救贖之大義,真情之堅(jiān)貞,信仰之虔誠(chéng),濃墨重彩地勾勒出氣勢(shì)磅礴、迷幻空靈的藏地人文歷史與風(fēng)情。

范穩(wěn)的近作《重慶之眼》是一部以抗日戰(zhàn)爭(zhēng)時(shí)期“重慶大轟炸”為題材的長(zhǎng)篇小說(shuō),作品以濃郁的愛(ài)國(guó)主義為底色,生動(dòng)展現(xiàn)了主人公藺珮瑤、劉云翔、鄧子儒在戰(zhàn)爭(zhēng)中的苦難經(jīng)歷和曠世愛(ài)情,以及“重慶大轟炸”受害者代表對(duì)日本右翼勢(shì)力漠視歷史的深刻揭露。

范穩(wěn)

Fan Wen

Fan Wen was born in Sichuan Province in November 1962 and currently lives in Kunming. He is a first rate national author and currently vice chairman of the Yunnan Province Writers Association, permanently stationed there hosting meetings. After graduating from university, Fan Wen worked at the Yunnan Geology and Minerals Bureau and began publishing his writing in 1986. Thus far, he has published more than 6 million Chinese characters in literary works of various themes and genres, and published 16 literary works, including novels, novellas, short stories, essays and reports. These have been translated into English, French, Italian and other languages. Fan Wen is obsessed with snow-capped mountain valleys and vast highland pastures. Several of his works focus on reflecting the Tibetan people’s real lives and historical culture, such as “The Tibetan Trilogy”, The Milky Way, Sorrowful Earth, and The Song of the Land, reflecting “Bixhai Village” on the Yunnan-Vietnam Railway, and works that reflect the history of the War of Resistance against Japan in My Blood and Earth, Chongqing Eye and so on. He has won nominations for the 7th, 8th and 9th Mao Dun Literary Prize, the 8th and the 11th October Literary Award, and the 4th People’s Literature Biennial Award for Novels.

In 1999, a visit to the Yunnan-Tibet rail line completely changed Fan Wen’s creative direction. He began to use a writer’s eyes to examine some of the questions that were never seen or rarely considered in the worldly life of the city: the people and their history, culture, religion, beliefs, nature, and their relationships with other people, their relationships with human nature, and their relationships with human destiny. Prof. Chen Xiaoming of the Chinese Faculty of Peking University believes that Fan Wen’s writing is “using love to explain the value of life and using love to retell the history and life experiences of Tibet”. The famous critic Li Jingze also commented that Fan Wen is “a writer who has always engaged in writing with love and respect towards the history and culture of our country and its people."

The Milky Way is the first book in the “Tibet Trilogy.” Against the backdrop of the changes occurring at the eastern fringe of Tibet over the course of a century, where the Living Buddha of Tibetan Buddhism, the representative of the Naxi Dongba religion, Christian missionaries, and the cadres of the Red Han people were created, as well as the image of fearless characters such as Kamba, a famous Tibetan. The novel contains serious considerations in an atmosphere where religion and reality are intertwined, ethnic groups are mixed together, and many different cultures clash and mix.

Sorrowful Earth shows us the true living conditions of the Tibetan people through the grudges and enmities of two families on both sides of the Lancang River. The epic poems express the rich spiritual connotations of good and evil, humans and nature, and humanity and divinity, thus making the theme of sadness show amazing power, and also shows us a painting from the Tibetan region in the first half of the 20th century.

The Song of the Land seeks to demystify the Tibetan culture, sanctify Buddhism, with compassionate writing about the Tibetan culture and Buddhism, singing the love of human nature, the great meaning of redemption, the steadfastness of truth, and the devotion of faith, thickly and heavily outlining the magnificent, mysterious and ethereal Tibetan cultural history and customs.

Fan Wen’s recent work, The Eye of Chongqing, is a novel based on the theme of the “Chongqing Bombing” during the War of Resistance Against Japanese Aggression. Based on strong patriotism, the work vividly shows the experiences of suffering and love in the world of the protagonists Lin Peiyao, Liu Yunxiang, and Deng Ziru in the war, as well as the exposing of Japanese right-wing forces in their overlooking of history by representatives of the “Chongqing Bombing” victims.

編輯 | 羅雨靜 

“文化互譯,溝通世界”


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