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這一年我們做過(guò)了太多山水自然空間

有被評(píng)論、有被肯定、有被贊賞

但是自我感覺(jué)總是少了一些極致與顛覆

當(dāng)從事園林的干起了古建

當(dāng)一方空間只做一個(gè)中亭

其實(shí)我們不僅僅在做景觀設(shè)計(jì)

更多的是一場(chǎng)傳承，一種突破，一個(gè)開(kāi)始

為什么說(shuō)是一場(chǎng)新的冒險(xiǎn)，至少現(xiàn)在看來(lái)還是心有余悸，這是一次創(chuàng)新性的嘗試，并且面對(duì)著一群人的質(zhì)疑，慶幸的是還好我們留有一份自我博弈的堅(jiān)持。

Why is it a new adventure? At least now, it seems that we are still scared. It is an innovative attempt, and in the face of a group of people's doubts, fortunately, we still have a self-game persistence.

△ 施工前

△ 施工后

最初看到這片土地只是一塊很普通的土地，些許亮點(diǎn)只是眺望四周，有肉眼可見(jiàn)的遠(yuǎn)山，距離太湖很近，天空有著廣袤純凈的藍(lán)，有著博物館風(fēng)格的網(wǎng)紅建筑，四周白墻圍合，構(gòu)成了眼前將要交手幾個(gè)月的空間。說(shuō)實(shí)話，這也讓初識(shí)場(chǎng)地的團(tuán)隊(duì)陷入沉思，我們是要按照甲方要求打造一方酒店式下沉空間，還是從蘇州地緣出發(fā)，讓場(chǎng)地獨(dú)具特色，如果選擇獨(dú)具特色，又如何與建筑風(fēng)格融合，統(tǒng)一設(shè)計(jì)語(yǔ)言？

At first I saw that this piece of land was just a very ordinary piece of land. Some of the bright spots were just looking around. There were distant mountains visible to the naked eye, and it was very close to Taihu Lake. The sky was vast and pure blue. Together, it constitutes a space that will be fought for a few months in front of us. To be honest, this also made the team who knew the venue for the first time to ponder. Should we create a hotel-style sunken space according to the requirements of Party A, or should we start from the geographical location of Suzhou and make the venue unique? Fusion of architectural styles and unified design language?

帶著諸多問(wèn)題，我們選擇回歸場(chǎng)地本身，從問(wèn)題原點(diǎn)出發(fā)，并求其解。我們走訪考察了大量的蘇式山水園林，以期獲得設(shè)計(jì)靈感，轉(zhuǎn)遍了周遭聞名的博物館、文物館，汲取設(shè)計(jì)巧思，終于在一方古文物玻璃墻承納著小小古亭的雕塑面前，久久駐留。置身四周玻璃墻圍合的空間仿若穿越至四周白墻圍合的中庭水院，一瞬間的感同身受，是大膽的提議實(shí)踐，我們是不是也可以將這一方四角古亭搬至場(chǎng)地空間，就在這一方純粹空間，造一方極致的古建中亭。

With many problems, we choose to return to the site itself, start from the origin of the problem, and seek its solution. We visited and inspected a large number of Suzhou-style landscape gardens in order to gain design inspiration. We went around the famous museums and cultural relics halls and learned design ingenuity. Finally, in front of the sculpture with a small ancient pavilion on the glass wall of ancient cultural relics, long stay. Being in the space enclosed by the surrounding glass walls is like passing through the atrium water courtyard enclosed by the surrounding white walls. The moment of empathy is a bold proposal and practice. Can we also move this square ancient pavilion to the site space? The pure space on this side creates the ultimate ancient pavilion on the other side.

△ 現(xiàn)場(chǎng)調(diào)整尺寸

在大膽的提議過(guò)后，還有更大的博弈在等著當(dāng)時(shí)陶醉于喜獲設(shè)計(jì)靈感的團(tuán)隊(duì)、難題接踵而至：我們以前也做過(guò)古建項(xiàng)目，包括著名的南京莫愁湖公園古建的新建和改造；但每一處古建文物都是有自己獨(dú)特的靈魂與脾性的，這一方亭中，我們?cè)撊绾巫?，怎么做，是一?chǎng)全新的思考與挑戰(zhàn)。

After the bold proposal, there are still bigger games waiting for the team that was delighted with the design inspiration at that time, and the problems come one after another: we have done ancient architecture projects before, including the new construction and renovation of mochou Lake Park in Nanjing; However, each ancient building cultural relic has its own unique soul and temperament, in this pavilion, how we should do, how to do, is a new thinking and challenge.

△ 現(xiàn)場(chǎng)改圖

當(dāng)時(shí)的想法有多美好，真正施工起來(lái)才知道多艱難，古亭木結(jié)構(gòu)需要一定的文物價(jià)值，我們跑遍了無(wú)數(shù)個(gè)古亭舊址才挖掘到適合的古亭舊料，古木、瓦片材質(zhì)易碎需運(yùn)輸工人細(xì)心搬運(yùn)，以防顛簸破壞；四角飛檐整體調(diào)性為與場(chǎng)地建筑風(fēng)格融合，設(shè)計(jì)方案幾經(jīng)易稿。

The idea is how beautiful, really know how difficult construction, the ancient pavilion wood structure needs certain cultural relics value, we went through countless ancient pavilion site to dig the suitable old material, ancient wood, tile material fragile need to transport workers to prevent bumpy damage; the overall tunality of the four corner eaves with the site architectural style, the design scheme after several drafts.

△ 現(xiàn)場(chǎng)瓦片搭建

△ 現(xiàn)場(chǎng)拼磚

好在過(guò)程設(shè)計(jì)，我們借鑒了《林泉高致》中山水意境布局，將整個(gè)場(chǎng)地看作是一幅水墨畫(huà)卷，將亭子落位于畫(huà)幅中景，運(yùn)用“對(duì)景”、“借景”等手法，將亭子與建筑、鏡水、天幕、行人等結(jié)合起來(lái)，宛自天成，極具美感。

Fortunately, in the process design, we borrowed the artistic conception layout of mountains and rivers in 'Linquan Gaozhi', regarded the entire site as an ink painting scroll, placed the pavilion in the middle of the painting, and used the techniques of 'opposing the scene' and 'borrowing the scene'. The pavilion is combined with buildings, mirrors, sky, pedestrians, etc. It is like a natural, very beautiful.

△ 現(xiàn)場(chǎng)選漆

亭子建設(shè)中，取法建筑學(xué)家李誡所著的《營(yíng)造法式》，從建造材質(zhì)、亭頂造型、瓦片肌理、榫卯關(guān)系、柱體結(jié)構(gòu)等角度效法、借鑒，我們邊學(xué)習(xí)邊論證邊落地。和有經(jīng)驗(yàn)的工人師傅一起現(xiàn)場(chǎng)堆瓦推銷(xiāo)模數(shù)，全過(guò)程全天候跟蹤施工過(guò)程。并將其中來(lái)自蘇州本地的一處古亭舊料與自然杉木，進(jìn)行解構(gòu)重生，重塑一方純凈的中庭空間，一方唯有時(shí)間留下痕跡的“沁亭”空間，一方融合舊與新，質(zhì)樸與精工的“觀心”天地。

In the construction of the pavilion, we took the 'Construction French Style' written by the architect Li Jie, and imitated and learned from the perspectives of construction materials, pavilion roof shape, tile texture, mortise and tenon relationship, and column structure. . Together with experienced workers, we will build tiles on site to sell modules, and track the construction process around the clock throughout the whole process. One of the old materials and natural fir from a local ancient pavilion in Suzhou was deconstructed and reborn to reshape the pure atrium space on one side, the 'Qin Pavilion' space where only time left traces on the other, and the fusion of old and new, simple on the other. With Seiko's 'viewing heart' world.

△ 現(xiàn)場(chǎng)柱體結(jié)構(gòu)調(diào)整

隨著四季變化，白晝交替。陽(yáng)光打在柔和的米白墻體、古亭舊木之上，光影折射于水面，風(fēng)起，水波微漾與空間產(chǎn)生對(duì)話，令人心曠神怡。我們運(yùn)用自然主義設(shè)計(jì)手法，“讓光線來(lái)做設(shè)計(jì)”，以光柔化古亭與建筑的邊界，融入中庭空間，渾然天成。其實(shí)往往越是簡(jiǎn)單的空間，越能體現(xiàn)出古亭的多重姿態(tài)，蘊(yùn)藉獨(dú)有的山水美學(xué)精神。

Days alternate with the changing seasons. The sunlight hits the soft off-white walls and the old wood of the ancient pavilion, and the light and shadow are reflected on the water surface. We use the naturalistic design method, 'let the light do the design', soften the boundary between the ancient pavilion and the building with light, integrate into the atrium space, and become natural. In fact, the simpler the space is, the more it can reflect the multiple gestures of the ancient pavilion, and the unique spirit of landscape aesthetics.

是一場(chǎng)無(wú)畏的冒險(xiǎn)也好，是一次迎難而上的嘗試也罷，可喜的是在無(wú)數(shù)次的質(zhì)疑與推翻面前，我們選擇了堅(jiān)持與重來(lái)，好在無(wú)論是甲方、設(shè)計(jì)方、施工方我們都始終堅(jiān)持著一個(gè)信念，要做一方極致的中庭水院，要做一處純粹的古建沁亭。

Is a fearless adventure, is a attempt to face the challenge, gratifying is in front of countless questions and overthrow, we chose to insist and again, fortunately whether party a, design, construction we always adhere to a belief, to do the extreme atrium, to do a pure ancient qin pavilion.

這已不單是一處觀景之地，景觀之所，更多的是一處承載社交、娛樂(lè)、會(huì)友、陶冶身心的媒介，站在此處，你會(huì)常常想到蘇軾的“惟有此亭無(wú)一物，坐觀萬(wàn)景得天全”。在這里與建筑、鏡水對(duì)話、交流，然后隨風(fēng)而過(guò)，悠然忘我，尋找“暢神”、“怡身”，超然物外。

This is not only a place for viewing, but also a medium for socializing, entertaining, meeting friends, and cultivating the body and mind. Standing here, you will often think of Su Shi's 'There is only one pavilion in this pavilion.' Things 'sit and watch all the scenery in the sky'. Here, you can have a dialogue and exchange with the building and the mirror water, and then pass by the wind, forget yourself, look for 'smoothing spirit' and 'pleasant body', detached from the outside world.

江山無(wú)限景，都取一亭中，你會(huì)慢慢的陶醉于這有限的天地，無(wú)限的精神世界，從忘”到“游”，繼而從“游” 到“會(huì)心”，于方寸建筑間，盡享“移天縮地入君懷”，然后流連忘返，體味歲月靜好。

The infinite scenery of the river and mountains is all taken in one pavilion. You will slowly indulge in this limited world, the infinite spiritual world, from forgetting” to “touring”, and then from “touring” to “knowing”, in the square-inch building. , enjoy 'moving the sky and shrinking the earth into the arms of the king', and then linger, savoring the tranquility of the years.

結(jié)語(yǔ) | 項(xiàng)目感言

EPILOGUE丨COMMENTS ON THE PROJECT

繁華浮世，一生喧囂

唯有時(shí)間淬煉，才會(huì)不置聲，勝有聲

二個(gè)月，一群人抽絲剝繭開(kāi)時(shí)間的肌理

以極致匠心致敬場(chǎng)地精神，終成一方古亭至境

誠(chéng)如“一個(gè)人走，可能走的很快，

但一群人走，才會(huì)走得很遠(yuǎn)“

希望這方中庭水院亦如設(shè)計(jì)初心般，

恒久、純凈，至真，清遠(yuǎn)

如今再來(lái)到這片熟悉的場(chǎng)地

天空還是一如初來(lái)有著廣袤純凈的藍(lán)

但是在蔚藍(lán)之下不再是一片空白

而是一方空亭翼然，四方記憶傳承

是一群人堅(jiān)持一件事的極致展現(xiàn)

是一個(gè)亭一脈匠心的無(wú)界追求

屏幕前的你，如果有時(shí)間

不妨來(lái)這沁亭一游，慢下腳步

感受詩(shī)意，感受豐盈人生

| 項(xiàng)目信息

PROJECT INFORMATION

項(xiàng)目名稱(chēng)｜大家銀城·東望雅苑

開(kāi)發(fā)公司｜大家地產(chǎn)&銀城國(guó)際

景觀設(shè)計(jì)｜上海魏瑪景觀規(guī)劃設(shè)計(jì)有限公司

建筑設(shè)計(jì)｜杭州九米建筑設(shè)計(jì)有限公司

室內(nèi)設(shè)計(jì)｜界上無(wú)界室內(nèi)設(shè)計(jì)（杭州）有限公司

施工單位｜蘇州天園景觀藝術(shù)工程有限公司

項(xiàng)目地址｜蘇州

開(kāi)放時(shí)間｜2021.12

景觀面積｜4300㎡

攝影團(tuán)隊(duì)｜IAM岸木攝影

感謝 魏瑪設(shè)計(jì)

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