來(lái)自 玳山設(shè)計(jì) 對(duì)gooood的分享 。更多關(guān)于他們，請(qǐng)至：TurtleHill on gooood
Appreciation towards TurtleHill for providing the following description:
“合”是配合以弘揚(yáng)中國(guó)傳統(tǒng)書(shū)畫(huà)藝術(shù)為主題的《筆尖指尖藝術(shù)展》而設(shè)計(jì)建造的空間裝置。項(xiàng)目位于上海虹橋天地演藝中心展覽場(chǎng)地入口處的中庭，立體裝置配合投影與觀眾互動(dòng)，將書(shū)法的精髓以三維的直觀印象傳達(dá)給即將進(jìn)入展廳的觀眾，使得展覽更具藝術(shù)性、知識(shí)性、觀賞性和互動(dòng)性。
設(shè)計(jì)師與著名書(shū)法家王冬齡合作，以后者的書(shū)法作品作為素材，嘗試建立一套設(shè)計(jì)語(yǔ)言，把平面的書(shū)法藝術(shù)轉(zhuǎn)化為可以與身體互動(dòng)的詩(shī)意三維空間。
The installation “HE”located at the atrium of the show space of HUB, Shanghai. It was created as a part of the exhibition, China on Brush Tip/ Finger Tip, to carry forward the traditional Chinese painting and calligraphy art. A three-dimensional installation and accompanying video tried to convey the essence of calligraphy to audience in a brand new way.
Collaborating with the master calligrapher Dong ling Wang and inspired by his work, the designer devised a design language to interpret paper-based artwork into poetic space that correlated with human body.
▼裝置一覽，overall view of the installation
如何用空間的語(yǔ)言去呈現(xiàn)書(shū)法之美？設(shè)計(jì)者聯(lián)想到了一本著名武俠小說(shuō)中男主角破解武功秘籍的方式：與其他人不同，男主角在看石壁上的秘笈時(shí)，看到的不是文字，而是圖像。那么有沒(méi)有這樣一種可能，我們?cè)谛蕾p書(shū)法的時(shí)候，也可以拋開(kāi)文字含義，而專(zhuān)注于筆墨運(yùn)動(dòng)的美。
How to present the rhythm of calligraphy in space? A kung-fu fiction passed through the designer’s mind. The hero of the story had a unique way to decodethe scriptof holymartial arts:Unlike theothers, when he looked at the characters, he saw drawings indicating how the sword swings but not wordsdescribing. Similarly, we could enjoy the beauty of calligraphy by focusing on the movement of brush, not what the characters literally mean.
▼用空間語(yǔ)言呈現(xiàn)書(shū)法之美，present the rhythm of calligraphy in space
基于這樣的想法，設(shè)計(jì)者決定將書(shū)法還原成毛筆的運(yùn)動(dòng)軌跡，原始的線條。曲率作為線條中最重要的信息之一被提取出來(lái)。為配合《兩尖藝術(shù)展》的主題“天人合一”，裝置設(shè)計(jì)取王冬齡老師所書(shū)寫(xiě)的“合”字作為空間裝置的出發(fā)點(diǎn)，在電腦里重現(xiàn)它的筆觸運(yùn)動(dòng)軌跡，得出曲線上各個(gè)點(diǎn)的切線方向角對(duì)弧長(zhǎng)的轉(zhuǎn)動(dòng)率，生成“合”的曲率分析圖。最后將二維平面的數(shù)據(jù)轉(zhuǎn)換為三維立體的空間，把書(shū)法的美感與韻律以一種量化的，直觀的方式傳達(dá)給觀眾。
With this thought, designer decided to trace the calligraphy artwork into the movement of brush tip, a primitivecurve. Then, curvature, as one of the most important information of the curve, was extracted and visualized. To response to the concept of exhibition “unity of heaven and men”, the installation design started from the Chinese character “HE” meant unity. The trajectory of brush was extruded according to its curvature and informed the shape of massing. Surrounding by rolling hills-like installation, people would be overwhelmed by the beauty of calligraphy art.
▼在電腦里生成“合”的曲率分析圖，analyze the curvature of “HE” and generate the massing in computer
因應(yīng)項(xiàng)目場(chǎng)地大，預(yù)算低，且工期緊張等諸多限制，裝置最終選擇以廉價(jià)的陽(yáng)光板為主要搭建材料。每?jī)蓧K之間使用鐵桿連接組成人字形，因此能獨(dú)立放置于地面而無(wú)需釘子或膠水固定。最后整組拼合成最終形態(tài)?？臻g裝置使用參數(shù)化方法設(shè)計(jì)，每塊板件的形狀都是獨(dú)一無(wú)二的并擁有獨(dú)自的編號(hào)，通過(guò)數(shù)控機(jī)床切割而成。同時(shí)考慮到裝置安裝的便利和工人對(duì)圖紙的理解能力，安裝圖紙有別于傳統(tǒng)的施工圖紙，更像是家具拼裝圖。
Limited by project conditions such as site scale, budget and construction period, PC sunlight plate was chosen as the major material. Every two panels were connected by short steel bars in “A” shape, achieving structural strength to stand on the ground independently.Then, the installation was assembled in sets. The shape of plates were computerized by parametric softwareand cut precisely with numerical control machine tool. Each of them had a unique index number. To simplify the construction process and let workers understand easily, the designer produced indicative illustrations to guide the installation rather than standard construction drawings.
▼裝置由陽(yáng)光板拼合而成，the installation is composed of PC sunlight plate
最終，半透明的材質(zhì)通過(guò)不同的疊合方式，在日光及燈光下呈現(xiàn)出不同的透明度，實(shí)現(xiàn)美觀效果的同時(shí)，更貼合了書(shū)法中墨分五色的特點(diǎn)。與此同時(shí)，空間裝置的整體設(shè)計(jì)思路被制作成視頻，投影在場(chǎng)地中央，與裝置結(jié)合為一體。內(nèi)容從最開(kāi)始的毛筆字，到曲線和曲率分析，交互功能的參與讓空間變得更加豐富有趣。
Different composing method of semitransparent plates affected their transparency under the light. The variety reminded people of the 5 classic ink colours applied in calligraphy art. At the same time, the whole design process were recorded as a video and projected in the middle of the installation. It included the very beginning of writing down “HE” and the analysis of its curvature. The implement of interactive video enriched the space.
▼使用投影讓空間更加豐富，use projection to enrich the space
▼圖紙，drawings
裝置名稱(chēng)：合
展覽名稱(chēng)：筆尖/指尖上的中國(guó)
裝置尺寸：長(zhǎng)20m/寬13米/高5.5米
展覽地點(diǎn)：上海虹橋天地演藝中心
展覽時(shí)間：2016年11月11日-2017年01月15日
主辦方：廣州漢覺(jué)文化傳播有限公司
裝置設(shè)計(jì)師：郭振江
合作書(shū)法家：王冬齡
聯(lián)系方式：info@turtlehill.cn
Installation Name: HE
Exhibition Name: China on Brush Tip/ Finger Tip
Installation Dimensions: Length 20m/Width 13m/Height 5.5m
Location: The HUB, Shanghai
Exhibition Duration: 11/11/2016-15/01/2017
Supporter: Guangzhou Hanjue Cultural Communication Co. Ltd.
Installation Designer: Jason Guo
Calligrapher: Dongling Wang
Contact: info@turtlehill.cn
More: TurtleHill。更多關(guān)于他們，請(qǐng)至：TurtleHill on gooood
聯(lián)系客服
