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No.29卡納萊托 | 威尼斯場(chǎng)景畫(huà)藝術(shù)

油畫(huà)世界  ArtYouhua

——分享世界油畫(huà),欣賞各國(guó)藝術(shù)——

Canaletto

卡納萊托

意大利畫(huà)家, (1697-1768)

卡納萊托(喬凡尼·安東尼奧·康納爾Giovanni Antonio Canal),意大利風(fēng)景畫(huà)家,尤以準(zhǔn)確描繪威尼斯風(fēng)光而聞名,是威尼斯場(chǎng)景畫(huà)藝術(shù)的代表人物之一。

—— By ArtYouhua

作品欣賞


Grand Canal Looking Northeast from the Palazzo Balbi to the Rialto Bridge,1719

在《圣馬可廣場(chǎng)》、《大運(yùn)河上的賽船》,及其他作品中,他將準(zhǔn)確的建筑細(xì)節(jié)與明亮的色彩結(jié)合起來(lái)。卡納萊托出生在威尼斯,父親是個(gè)劇場(chǎng)的布景畫(huà)家,卡納萊托從小是在父親的影響下開(kāi)始學(xué)習(xí)繪畫(huà)的。



Grand Canal, Looking East from the Campo San Vio,1723

卡納萊托對(duì)劇場(chǎng)布景畫(huà)中的透視現(xiàn)象特別敏感,有時(shí)無(wú)父親的指撥,便可畫(huà)出相當(dāng)科學(xué)與準(zhǔn)確的透視圖來(lái)。在父親那里完成了最初的學(xué)業(yè)以后,卡納萊托便到當(dāng)時(shí)頗享盛名的格爾列維尼斯工房學(xué)習(xí),并在那里受到了老師的影響??梢哉f(shuō)正是由于卡納萊托進(jìn)了格爾列維尼斯的工房才使他走上場(chǎng)景畫(huà)創(chuàng)作的。



Piazza San Marco Looking East along the Central Line,1723

1719年左右卡納萊托到羅馬旅游,在那里接觸到了比他年長(zhǎng)一些的羅馬畫(huà)家朱塞佩·加姆巴利尼(giuseppe gambarini)的作品,并發(fā)生了極大的興趣。朱塞佩·加姆巴利尼也善于描繪都市場(chǎng)景,以及古羅馬的廢墟等,他的作品給了卡納萊托很大的啟示,尤其是建筑的透視法和生動(dòng)的場(chǎng)景人物的交融??{萊托回到威尼斯以后,即開(kāi)始了場(chǎng)景畫(huà)的創(chuàng)作。卡納萊托一生十分勤奮,創(chuàng)作了大量的作品,且?guī)缀跷瓷婕斑^(guò)其他體裁的創(chuàng)作。


The Grand Canal from the Campo San Vio, Venice,1723


San Cristoforo, San Michele & Murano,1722-1723


Rio dei Mendicanti,1724


The Piazzetta towards San Giorgio Maggiore,1724


Venice: The Grand Canal, Looking North East from Palazzo Balbi to the Rialto Bridge,1724


Doge's Palace,1725


Entrance To The Grand Canal Looking East,1725


Grand Canal Looking Northeast from near the Palazzo Corner Spinelli to the Rialto Bridge,1725


Grand Canal: Looking North East toward the Rialto Bridge,1725


Rio dei Mendicanti: Looking South,1725


Santi Giovanni e Paolo and the Scuola de San Marco,1725


The Grand Canal nethe Ponte del Rialto,1725


The Grand Canal Seen from Rialto toward the North,1725


The Piazzetta to the South,1725


Grand Canel the Rialto Bridge from the North,1725


Grand Canal: Looking from Palazzo Balbi,1726


Grand Canal: Looking North from Nethe Rialto Bridge,1726


San Giacomo di Rialto,1726


The Grand Canal near San Maria della Carità,1726


Santi Giovanni e Paolo and the Scuola di San Marco,1726


San Giacomo de Rialto,1725-1726


Grand Canal. The Rialto Bridge from the South.,1727


Stonemason's Yard,1727


The Piazzet Looking South,1727


The Piazzetta Looking towards S. Maria della Salute,1727


The Piazzetta, Looking toward the Clock Tower,1727


Venice, The Piazzetta Looking South west towards Santa Maria della Salute,1727


View of San Giovanni dei Battuti at Murano,1727


The Piazzetta Looking towards the Torre dell'Orologio,1728


Dolo on the Brenta,1728


Reception of the Imperial Ambassador at the Doge's Palace,1729


The Bucintgoro by the Molo on Ascension Day,1729


The Grand Canal,1729


An Allegorical Painting of the Tomb of Lord Somers,1722-1729


Fonteghetto della Farina,1730


Piazza San Marco with the Basilica,1730


Piazza San Marco, the Clocktower,1730


Reception of the Ambassador in the Doge's Palace,1730


Riva degli Schiavoni Looking East,1730


Riva degli Schiavoni: Looking East,1730


The Grand Canal and the Church of the Salute,1730


The Grand Canal from Campo San Vio towards the Bacino,1730


The Molo Looking West,1730


The Punta della Dogana,1730


The Riva degli Schiavoni,1730


View of Campo Santi Apostoli,1730


View of the Ducal Palace,1730


Campo Santa Maria Formosa,1730


The Molo and the Piazzetta San Marco, Venice,1730


A Regatta on the Grand Canal,1732


Grand Canal From Santa Maria Della Carita To The Bacino Di San Marco,1732


Grand Canal Looking North from near the Rialto Bridge,1732


Grand Canal: Looking North East from Santa Croce to San Geremia,1732


Return of the Bucentoro to the Molo on Ascension Day,1732


Venice: Riva degli Schiavoni,1732


Venice: The Canale di San Marco with the Bucintoro at Anchor,1732


View of the Entrance to the Arsenal,1732


View of the St. Mark's Basin,1732


Campo Sant Angelo,1732


Grand Canal,1733


The Arsenal: the Water Entrance,1730-1733


The Piazzetta,1734


Campo Santa Maria Formosa,1735


Entrance to the Grand Canal and the Church of La Salute,1735


Feast of San Rocco (The Doge Visiting the Church and Scuola di S. Rocco),1735


Roofs and Chimneys in Venice,1735


The Doge's Palace with the Piazza di San Marco,1735


The Rialto Bridge from the South,1735


Campo San Rocco,1735


Campo Santi Apostoli,1731-1735


Entrance to the Grand Canal: from the West End of the Molo,1737


Piazza San Marco, Looking Towards San Geminiano,1737


Piazzetand the Doge s Palace from the Bacino di San Marco,1737


Rialto Bridge from the South,1737


Grand Canal: Looking South West,1738


St. Mark's Basin,1738


The Upper Reaches of the Grand Canal with S. Simeone Piccolo,1738


Venice: The Grand Canal from Palazzo Flangini to the Church of San Marcuola,1738


Campo San Giovanni e Paolo in Venice,1738


A Regatta on the Grand Canal,1740


Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia,1740


Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia,1740


The Bucintore Returning to the Molo on Ascension Day,1740


The Grand Canal at Rialto,1740


The Grand Canal at the Salute Church,1740


The Grand Canal at the Salute Church,1740


The Molo and the Riva degli Schiavoni from the St. Mark's Basin,1740


The Molo with the Library and the Entrance to the Grand Canal,1740


Venice: The Basin from the Giudecca,1740


Campo Santi Giovanni e Paolo,1741


Imaginary View of Venice,1741


Mestre,1741


The Brenta Canal at Padua,1741


Capriccio with Venetian Motifs,1742


Rome: Ruins of the Forum, Looking towards the Capitol,1742


Rome: The Arch of Constantine,1742


View of the Church and the Doge s Palace from the Procuratie Vecchie,1742

編輯:油畫(huà)世界(ID:ArtYouhua)

END -

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